Game devs will literally implement a complex physics engine with ragdoll mechanics, particle systems for explosive lava effects, and procedural demon summoning algorithms, but adding a cloth simulation for a scarf? That's where they draw the line. The complexity hierarchy in game development is beautifully backwards: rendering a hellscape with real-time lighting and shadows? No problem. Making fabric drape naturally over a character model? Suddenly we're asking for the moon. This perfectly captures the reality that what seems "easy" to implement versus what's actually easy are two completely different universes. Cloth physics is notoriously difficult—it requires sophisticated vertex deformation, collision detection, and performance optimization to not tank your frame rate. Meanwhile, spawning a giant demon is just instantiating a prefab with some particle effects. The demon doesn't need to realistically interact with wind or character movement; the scarf does.

Fortnite keeps desperately clawing at relevance after each failed launch, throwing everything at the wall hoping something sticks. Meanwhile, Highguard said "you know what? I'm good" and walked away from the game dev grind to pursue a life of pure diamond mining. The real joke here is the perseverance difference: Fortnite has Epic's infinite money printer backing it, so they can afford to faceplant repeatedly and still come back with another collab or season. Highguard (presumably an indie dev or smaller studio) looked at their launch numbers, checked their bank account, and made the rational decision to pivot to literally anything else that pays better. It's the classic tale of "big studio privilege vs indie reality" – one gets to fail upward indefinitely while the other needs to actually make rent.